Monday, June 30, 2014

Jewelry set finished!

Here's the absolutely GORGEOUS totally finished set of Elizabethan jewelry :) 
Once again, may I say that everyone...EVERYONE should get a photography setup  in their home. This should have been a required class in my training. Cause - I took this picture:

I know, right?

I added bar pins at the center and at the 5th ouch, so that the girdle can be made to follow any bodice front, easily. I've tried it on my dress form., and it works great so far. Back closure is adjustable by about 2"

I? Am thrilled with the way these are finishing up. I would be proud to wear them myself, and that's pretty much my bar for things I will sell. 

Can't wait to get them up on my website. 
(Oy, the website.)
Look - sparkly jewelry!

(I just want to make stuff - not websites. Oy)

Thursday, June 26, 2014

Friday, June 20, 2014

Girdle design options!

 Here are a few of the girdle designs I've been playing with. I'd love your opinions on these. Also - I wanted to share just cause the photos are so pretty. These can be made with any of the ouches in any color combination, but at this time I only have black stones for the large centerpiece stones in centerpiece option A.

 I've only got the oval rhinestones in claw settings in black right now as well. Other colors are on order :)

So -What's your favorite?

Tuesday, June 10, 2014

Coello Cinderella dress sleeve

And now for something completely different, (at least for a hat blog)

I'm working on an Elizabethan dress based on this portrait. (Don't worry, I'll be making the hat too)

Why, you might ask?  To have something on which to showcase the awesome sparkly ouches and the girdle belt and Carcanet necklace :) of course. I estimate that with the jewelry and all, this will use about eighty of them. First, I have to make it, though.

I've  made great progress working on the bodice, including a sweet little upper sleeve puff with a zillion little darts in it and persnickety little pickadills.

In fact - it was SO much fun, I made this process poster thing showing the steps I used to find the sleeve pouf pattern.

This sortof got my documentation bug going, and also got an enthusiastic response from fellow costume geeks friends.
I promised that I would document the process I used when I made the slashed and bedecked undersleeves. Without further ado, here is

The Slashed Sleeve Process

I drafted two sleeve patterns, one that is the base shape of a very straight, pretty boring sleeve, with no puffs, and another  that is exactly the same, but four inches longer. (I had done a sample of the slashes in order to find out the ratio of the larger sleeve to the smaller, which is how I came up with the four inches larger.)

On both sleeve patterns, I marked and notched the horizontal lines for the rows of trim and the spaces that I would slash, but it turned out that I only needed them on the larger pattern, and even on that, I used the ruler rather than my notches for the sake of precision. 

My assumption that the slashes needed to be on the bias was proven to be true by the samples I did, but I wanted the slashes to appear vertical,  so I cut the entire outer satin sleeve layer on the true bias. (This one is the larger pattern.)
 Then, I marked all the horizontal trim lines on the back side of the satin, and very carefully  marked the grid lines  (3/4" apart and 3/4" high) that will be the slashes.

Back side of satin sleeve - with grid all marked.
 I placed a rubber cutting mat beneath the satin, and used a box knife with a new blade and my clear ruler to make the slits. The biggest challenge was to do them cleanly with one cut, since going back over a cut made it not as neat.
 Here is the front view of the silk satin, with the slits all cut.

I cut out the smaller base sleeve layer from cotton drapery lining, which was thin but quite papery/stiff. This layer, I cut on the straight grain, like a regular sleeve.
 I lined the two layers up and pinned them at the cuff

On the satin side, I pinned the first row of the trim through both layers of sleeve, just below the first row of slits.
 And stitched it in place on both sides, using invisible nylon thread. (I did a number of samples with "real" thread - and this was by far the best looking result. Not my favorite stuff to work with, but sometimes it's the right tool for the job.) I found that a narrow zig-zag stitch was the least noticeable, which was a little surprising. I couldn't see the stitches at all.

 I pressed the trim flat, and went back to the cutting table.
 I placed a thick cord (I had to twist three together to make it thick enough) in between the two sleeve layers to create the ridge I wanted between the trim rows.
 You can see the ridge here
 I pinned the next row of trim in place below the next row of cuts, and gently pulled out the cord.
 Repeated this process with all rows of trim
 Another angle of the same thing.
 Here are all the rows of trim, all pinned in place.
 I then stitched all rows of trim through both layers of the sleeve, This holds all the puffs in place on the base sleeve. As I got higher up the sleeve, I rolled the stitched rows up and pinned the roll to keep the sleeve from being scrunched against the machine, and keep everything neat.

 Here's the sleeve with the trim rows all stitched down, from the back side.
 And here it is from the front.
 I stitched the single vertical row of trim down the center of the sleeve and trimmed all the raw trim edges down to a smaller seam allowance on the long seam edges.
I then pinned the sleeve seam, matching the rows of trim carefully, stitched the sleeve seam, and pressed the seam allowance open.

Here's the current state of the sleeve. Next, it will get little satin pickadills at the cuff, and then get a smooth, thin lining, and be otherwise treated like any other sleeve.
 (Here's an earlier version, before I added the vertical trim, but it's pinned into the doublet.)

The entire process took three and a half hours (not bad, really!)


Now? I will go to bed.

Thursday, June 5, 2014

Parade Float hat

Finished the last custom order in this batch!

Taupe/beige perchy hat with "parade float" style feathers.
I'm pretty tickled with it, though these feathers took some effort to get them to behave. They ended up pretty glorious.

Not much content in this post either - just pretty pictures :)

Next Project: A bejewelled girdle that has been waiting patiently for me to finish this batch of orders. After the girdle, the next batch will begin. :)

Wednesday, June 4, 2014

Black and grey perchy hat

She's lovely, no?

Those are some IN-credible grey feathers. I wish every feather I ordered came looking like these.

That's it - just pretty pictures :)

One more order in this batch!

Sunday, June 1, 2014

New orders finished!

Here are three custom orders that I just finished last night and today, and thought I'd show some photos.

Flamboyantly feathery Navy and rust: (my camera made this look much oranger than it is) Also, I have only one more hat's worth of this rust trim. MUST find more, cause I love it. I also discovered that I can make filigree cones out of some of my filigree findings. They are a great size for feather ends.
 A Lovely Khaki green-brown bowler. This one used a sueded fur-felt blank that feels quite wonderful and was a pleasure to work with.
Fabulous bright red bowler, with a leather sweatband and satin lining. it's really a smart thing with red hats, or you end up with a bright red forehead. Only color that really does that.